A kiállító művész: Szolnoki Csanya Zsolt
Közreműködők:
A kiállítást megnyitja: Feledy Balázs, művészeti író
Vers-és performansz: Szegedi Tamás, színész
Zene: Lukáts Miklós cimbalomművész
Szolnoki Csanya Zsolt
On the cave wall, the mark of time, as the Cro-Magnon man shivered, built a fire, and smeared clay
around himself with his palms so as not to feel lonely. Csanya's works are recollections of the
primeval loneliness at the beginning of humanity. Alone in the cave... The Cro-Magnon man also
plastered his body with the colors of the earth's minerals to have a crust against the forces of nature.
The civilized person at most punches a cabinet with their fist. Their emotional gestures, sometimes
outbursts, are those of a thinker lost in helplessness, who has recognized the emptiness of form.
Taoist cave paintings. Space-images on the ruins of time. Like Shiva! With one hand, he builds-creates,
with the other, he destroys it, and arranges the rethought layers into a unity so that the wanderer is
once again in the center. So that there is! Within him, peace... Because man is in battle with the wind,
the storm, and the wild animals. Csanya is beyond the expected gypsy images. He is handsome today,
and always has been! He decided. His voluntary emigration is an ethical question. Or rather, it is not a
question for him. Only a high intellect is capable and suitable for this decision. It is easy for a beggar
to revel in a renounced order, to appear holy, but Csanya was born with spiritual wealth onto a
spaceship plastered from mud. The Master could also choose to profit, but this compromise is the
character of the weak. Csanya is different. He does not copy the beaten path, nor does he walk on it.
His path is motionless, like time and space enclosed in stones. He is the beginning, when man was not
yet wallowing in the arrogance of the conceptual systems of languages. Csanya is the culture before
cultures, that is, the origin.
Kunhegyesi Ferenc
Artist
